The Mating Dance in Jane Austen’s Pride and Prejudice Essay -- Pride a

The Mating trip the light fantastic toe in Jane Austens dress and PrejudiceAs befitting the title of respect of Jane Austens novel, pride and prejudice as well as societal decorum restrain the protagonists feelings toward each other, resulting in a love that is big by caution and tempered by time. Allen suggests that simply because desire is not expressed, it does not cease to exist repressed, it does not disappear. Instead it is symbolically displaced, returning(a) with repetitive insistence in a concealed form (426). In other words, although Elizabeth and Darcys feelings are hidden, these concealed forms of expression continue to kindle the l overs in their courtship. Literature and dance coexist with cordial decorum in strengthening Elizabeth and Darcys relationship, while facial expressions have neither social nor cultural boundaries. Abiding by the laws of decorum, literature, dance, and facial expressions help Elizabeth and Darcy break through and through and through their personal repressions and discover their love for each other.Literature appears in Pride and Prejudice in the form of books and letters. For most of Parts One and deuce of the novel, Elizabeth Bennets social standing and the indecorum of her family repel Darcy. He remarks that because the Benett sisters have family in Cheapside, it must very materially lessen their regain of marrying men of any consideration in the world (Austen, 33). However, Darcys distain is greatly reduced when he discovers that Elizabeth prefers reading to cards. It is a matter of nurture triumphing over nature, for Elizabeth is cultured and educated despite her upbringing. Darcy may be subconsciously or even purposely referring to Elizabeth when he adds the virtues of extensive reading to the list of qualities he admires ... ... love for Elizabeth he was in the middle before he knew that he had begun (Austen, 317). While calm down adhering to social norms and decorum, Elizabeth and Darcy are able to s hed their pride and prejudice through the natural influences of literature, dance, and facial expression. As these modes of expressions are not immediately discernible in terms of love, they help Elizabeth and Darcy build a relationship that withstands the essay of time and of scrutiny.Works CitedAllen, Dennis W. No Love for Lydia The Fate of Desire in Pride and Prejudice. Texas Studies in Literature and Languages. 1985 Winter 27 425-443.Austen, Jane. Pride and Prejudice. refreshed York, U.S.A. Signet Classic, 1996.Stovel, Bruce. A Contrariety of Emotion Jane Austens Ambivalen Lovers in Pride And Prejudice. foreign Fiction Review (IFR). 1987 Winter 14 (1) 27-33.